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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Sleeveface



Sleeveface is defined as "one or more persons obscuring or augmenting any part of their body or bodies with record sleeve(s) causing an illusion."

It is also a participatory photo project on Instagram. People post photos of themselves that were strategically posed with matching album covers expanding the original album cover picture.












What a Photo Posted Online Can Say About You


You're probably tired of stories about privacy, Facebook and social media. But in the midst of all that the past few months, I continue to see lots of my online friends taking quizzes, liking posts and especially uploading photos.

Oh, what's the harm in posting a photo?

Your camera or phone adds a lot of data to a photo file. Especially with your camera's phone (on Flickr and many photo sharing sites, the most popular "camera" is a phone) you are sharing your location, the date and time, the kind of device you used and its device ID and your mobile provider. It will also ping off any nearby Wi-Fi spots or cell towers, so your location is there even if you don't add that to the image post.

Add in facial recognition, which Facebook and Google use on your photos, and features will try to determine who is in that photo. If you tagged anyone or captioned the photo or added a new specific location, you are feeding the database. Thanks, users!

Think about how this data along with knowing who your friends are and their data and where you go with or without them and it builds a very robust picture of you and your world.

Can't this be controlled by us? To a degree, yes, but not totally. Your phone and some cameras will automatically record that data for every shot. You can turn off location services/geotagging in some instances, but I'm not even convinced that the data still isn't there anyway. And if you are automatically backing up your photos to iCloud or Google or somewhere in the cloud, I'm not positive that even your deleted photos are forever gone along with their metadata.

Am I overly paranoid? Can anyone be overly paranoid about privacy these days?


Watching the Milky Way


The Mountain from TSO Photography on Vimeo.

This was filmed between 4th and 11th April 2011 at El Teide, Spain´s highest mountain. It is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.

The goal was to capture the Milky Way galaxy along with El Teide but a large sandstorm hit the Sahara Desert on the 9th April and then hit El Teide making it nearly impossible to see the sky with the naked eye.

The camera was set for a 5 hour sequence of the Milky Way during this time and surprisingly it captured the sandstorm which was backlit by Grand Canary Island making it look like golden clouds.

Watch the Milky Way shining through a Sahara sandstorm.

Probing The Black World of Government Secrecy


I wrote a weekend post recently that included a book by "social scientist, artist, writer and provocateur" Trevor Paglen. He explores a lot of the secret activities of the U.S. military and intelligence agencies which is known as the "black world." He has made art from documents like passports, flight data and aliases of CIA operatives into art objects.

The book I had written about examines a far less secretive world. The Last Pictures will be published in September. It is a photo book at its center, but it was designed to be carried on one of the communications satellites that circle Earth. Paglen believes that those satellites be a better time capsule because they will outlast anything humans have made on Earth.


Paglen's collection of 100 images will be etched onto an ultra-archival, golden silicon disc that will be sent into orbit on the Echostar XVI satellite in September 2012 when the book is released.

There is more to the book than the images: "questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment" is the way it is described online.


In this post, I'm more interested in some of his other books. Paglen's earlier books are also ambitious in his way of of interpreting our world, but go in another direction.

As an artist, he is focused on photography as truth-telling, He has done a series called "Limit Telephotography" that used high-end optical systems to photograph top-secret governmental sites. I'm not sure how well that played with the government - probably not any better than "The Other Night Sky" which collected data from amateur satellite watchers who track and photograph classified spacecraft in Earth's orbit. 

He is the author of five books that investigate future warfare, state secrecy, experimental geography, anthropogeomorphology (I had to look that one up), deep-time, and cave art.

His recent 2010 book, I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World, examines the strange patches of the secret military units that are full odd names and occult symbols and classified missions. A book on patches? Really?

Paglen contends that the government's “black world” is "replete with the rich symbolic language that characterizes other, less obscure, military activities. The symbols and insignia shown in the Symbology series provide a glimpse into how contemporary military units answer questions that have historically been the purview of mystery cults, secret societies, religions, and mystics: How does one represent that which, by definition, must not be represented?"
I first encountered Paglen a few years ago in a New York Times article that begins:
Skulls. Black cats. A naked woman riding a killer whale. Grim reapers. Snakes. Swords. Occult symbols. A wizard with a staff that shoots lightning bolts. Moons. Stars. A dragon holding the Earth in its claws.

No, this is not the fantasy world of a 12-year-old boy.

It is, according to a new book, part of the hidden reality behind the Pentagon's classified, or "black," budget that delivers billions of dollars to stealthy armies of high-tech warriors. The book offers a glimpse of this dark world through a revealing lens — patches — the kind worn on military uniforms.
"It's a fresh approach to secret government," Steven Aftergood, a security expert at the Federation of American Scientists in Washington, said in an interview. "It shows that these secret programs have their own culture, vocabulary and even sense of humor."

Take the patch shown at the top of this post. A space alien with huge eyes. It is hanging on to one of our stealth bombers. Is it about to eat it? It says "To Serve Man" which is an allusion to a Twilight Zone episode in which the aliens plan to serve mankind as a meal and not in a mentoring way. Even stranger is the phrase "Gustatus Similis Pullus" at the bottom of the patch. That's dog Latin for "Tastes Like Chicken."

These patches have wizards along with more traditional military symbols like lightning bolts. Of course, it's odd to see a wizard hurling that bolt on one used at a secret Air Force base at Groom Lake, near Las Vegas. In Paglen's book he says the five clustered stars and one separate star shown are a reference to the well known and unknown Area 51 where the government tests advanced aircraft and UFO buffs have long maintained that the government keeps captured aliens and their  spacecraft.


I find the patches to be more fun than frightening. I mean, if a patch says "Oderint Dum Metuant" and you know that it is used by those working in a program that uses spy satellite images for battlefield intelligence, you want to know what it means. Paglen tells us that it is from the famously depraved and mad Roman emperor Caligula. It translates as  "Let them hate so long as they fear."  Makes sense to me.


Invisible: Covert Operations and Classified Landscapes





Blank Spots on the Map: The Dark Geography of the Pentagon's Secret World

Winter Solstice Lunar Eclipse in Time Lapse


Winter Solstice Lunar Eclipse from William Castleman on Vimeo.


Castleman used a 4-inch telescope on an equatorial mount that followed the moon at a lunar tracking rate and took a photograph every 20 seconds with a Canon 40D. He assembled the photographs using Quicktime Pro software.

Summer Reflection

impression on a pond

The hottest summer and spring on record for New Jersey.

Though summer doesn't end officially until the 21st, for weather record keepers, June-August is the summer.

And usually we get 12.84 inches of rain - but this summer only recorded 8.34 - 65% below normal.  My tomatoes were never really happy, even with my mulching and watering. When zucchini doesn't want to grow, there's something wrong.

A Year In 60 Seconds

Eirik Solheim has been experimenting with using still images from the same spot on his balcony in Oslo and creating a kind of "time lapse" video.

He did one in 2008 and has gotten a few million folks to check out his work (two million views on YouTube in addition to about one million on Vimeo and hundreds of thousands of views and downloads from other web sites).

He bought a Canon 5D Mark II which allows you to shoot stills and HD video, so it did it again in 2009.

A little bit different technique - shooting 30 second video clips each time and dissolving between clips for a kind of time lapse effect but with full motion.

He has several versions online.



I like this one shot with the wider 24mm lens that shows a year in 60 seconds. Here are about 60 zen (small z) moments for you. I like the wind...

MORE
http://eirikso.com
http://www.youtube.com/user/eirikso
My Ivory Cellar: The Story of Time-Lapse Photography

THE NATIONAL PARKS: OUR AMERICAN LANDSCAPE




Nature and conservation photographer Ian Shive introduces an upcoming 4-part web series on the "making of" his book, The National Parks: Our American Landscape (Earth Aware Editions). The upcoming series will be an HD journey through the national parks of the American west, from the Grand Canyon to White Sands New Mexico, north to Glacier and Yellowstone National Parks in Montana and back down the west coast into California.

The series will be available on Vimeo, on his personal website and on many other websites related to books, media, etc. It should be in wide release beginning in mid-July with the first webisode and a new one each month for the next four months.

Visit Ian's site and photoblog.